Honk for Jesus. Save Your Soul.

Honk for Jesus. Save Your Soul. is a satirical comedy starring Regina Hall as Trinitie Childs - the proud first lady of a Southern Baptist megachurch, who together with her husband Pastor Lee-Curtis Childs (Sterling K. Brown), once served a congregation in the tens of thousands. But after a scandal forces their church to temporarily close, Trinitie and Lee-Curtis must reopen their church and rebuild their congregation to make the biggest comeback that commodified religion has ever seen.


Honk for Jesus. Save Your Soul.

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Honk for Jesus. Save Your Soul.

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About the Film
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Director's Statement: Adamma Ebo

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Regina Hall stars as Trinitie Childs.

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Sterling K. Brown stars as Lee-Curtis Childs.

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Nicole Beharie stars as Shakura Sumptor.

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Conphidance stars as Keon Sumptor.

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Honk for Jesus. Save Your Soul. started its life as a feature film script while writer and director Adamma Ebo was completing her MFA in Directing at UCLA in 2015.

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One of the key evolutions from the original feature script was the inclusion of Shakura and Keon Sumptor - played by Nicole Beharie and Conphidance - the up-and-coming, younger co-pastors of Heaven’s House, where many of the Childs’ congregation now go to worship.

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Some of the most memorable scenes in Honk For Jesus. Save Your Soul. involve style, music, and dance. Given how important fashion is to Baptist Church culture, the clothes and hats were integral to the story being told, especially given the wealth that the Childs have accumulated from donations and gifts.

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When it came to casting Trinitie’s larger-than-life husband, Lee-Curtis Childs, the journey to find the right actor to portray a charismatic pastor ill at ease with himself, took a slightly more winding path.

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When they asked who Adamma saw in the role of Trinitie Childs, she remembers saying, “a Regina Hall type,” not daring to dream that they would actually land Regina Hall.

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Adamma Ebo [l] and Adanne Ebo

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Given the script’s unique blend of comedy coupled with the subject matter of a scandal serious enough to warrant the loss of the majority of the Childs’ congregation, striking the right balance for the film was incredibly important to everyone involved.