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Thérèse DePrez has been the production designer on nearly two dozen films, both independent features and studio projects. She previously worked with The Door in the Floor producer Ted Hope on Todd Solondz’ Happiness, and with Hope and director of photography Terry Stacey on Robert Pulcini and Shari Springer Berman’s American Splendor.
She has production-designed Richard Benjamin’s Marci X, Donald Petrie’s How to Lose a Guy in 10 Days, John Cameron Mitchell’s Hedwig and the Angry Inch, Stephen Frears’ High Fidelity, Spike Lee’s Summer of Sam, Mark Pellington’s Going All the Way and Arlington Road, Edward Burns’ No Looking Back, Mary Harron’s I Shot Andy Warhol, Todd Haynes’ short feature Dottie Gets Spanked, Tom Kalin’s Swoon, and Tom DiCillo’s Box of Moonlight and Living in Oblivion.
Ms. DePrez’s next film project is Walter Salles’ Dark Water. She recently finished designing David Bowie’s “Reality” world tour.