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A Cultural Glossary to The Limits of Control

Posted April 29, 2009 to photo album "A Cultural Glossary to The Limits of Control"

Slide 1: Introduction
Slide 2: William S. Burroughs
Slide 3: Arthur Rimbaud
Slide 4: Jacques Rivette
Slide 5: Point Blank (1967)
Slide 6: The Hunter by Richard Stark
Slide 7: Le Samouraï
Slide 8: Wim Wenders & Nicholas Ray
Slide 9: Aki Kaurismäki
Slide 10: Art at the Museo Reina Sofia
Slide 9: Aki Kaurismäki

Slide 9: Aki Kaurismäki

In his explanation to the Lone Man about how the term "Bohemian" came to mean a young artistic type, the Guitar mentions La Bohème and recommends an unnamed film version of the story by a – once again unnamed – Finnish film director. This reference is an affection nod to Aki Kaurismäki and his movie La Vie de Bohème (1994). (Matti Pellonpää and Kari Väänänen, the two leads in Jarmusch's Helsinki segment of Night on Earth (1991), also starred went on to star in La Vie de Bohème a year later.) Jarmusch and Kaurismäki both share drily understated comic sensibility, and the two have long been friends. Jarmusch takes a cameo as a NYC car dealer in Kaurismäki's cult classic Leningrad Cowboys Go America (1989), and Jarmusch and Kaurismäki played Silver Rider and Cadillac Man respectively in Gilles Charmant's 1994 Iron Horsemen. Jarmusch also appeared with Sam Fuller (another mutual friend of Wenders') in the 1994 doc Tigrero: A Film That Was Never Made, directed by Aki's brother Mika Kaurismäki.