About FocusFeatures.com

Hi, I'm here to help. I'm keeping my eye on the blogs and message boards. I would love to hear what you think about the site and try to address any problems you may be having.

More About FocusFeatures.com »

To leave a message for administrator, login or register below.

Login | Register


Member Profile | FocusFeatures.com

The Years of the Berlin Film Festival

Posted February 11, 2010 to photo album "The Years of the Berlin Film Festival"

The Berlinale turns 60 this year. What a strange journey it’s been.

Slide 1: 2010 - The Berlin Film Festival
Slide 2: 1951 - The Festival Starts
Slide 3: 1955 - Germany Steps Up
Slide 4: 1958 - The Festival Opens Up
Slide 5: 1961 - A Cultural Divide
Slide 6: 1965 - Different Programs
Slide 7: 1971 - Starting All Over Again
Slide 8: 1974 - Cold War Thaws
Slide 9: 1978 - A New Director, a New Date
Slide 10: 1979 - International Conflict
Slide 11: 1982 - Germany Divided
Slide 12: 1987 - The East Comes West
Slide 13: 1990 - A New Berlin
Slide 14: 1996 - The Festival at Full Tilt
Slide 15: 2000 - An Anniversary and new Home.
Slide 16: 2004 - A Different Type Of German Film
Slide 17: 2006 - An International Duty
Slide 7: 1971 - Starting All Over Again

Slide 7: 1971 - Starting All Over Again

From Rosa von Praunheim's It is Not the Homosexual Who Is Perverse, But the Society in Which He Lives.

On the brink of its 20 anniversary, the Berlin Festival nearly imploded. In 1970, the inclusion of Michael Verhoeven’s political drama o.k turned the Jury inside out. Even though the tough drama about a woman raped and murdered by a group of soldiers took place in Europe, critics understood it alluded to a real life case in Vietnam. The jury, lead by American director George Stevens, attempted to “neutralize” the film by asking the selection committee to reconsider it. As a result, the jury was dismissed, the festival came to a halt and no awards were presented. Berlin attempted to heal this rift in 1971 by adding the International Forum for New Cinema (or what would become known as the Forum). Originally conceived as a counter festival, Berlin absorbed it, giving it the decree to “publicize and support progressive and avant-garde developments in film from around the world.” In addition to political and formally challenging work, the Forum took on presenting gay work with its inclusion of Rosa von Praunheim’s It is Not the Homosexual Who Is Perverse, But the Society in Which He Lives. The competition, on the other hand, awarded the Golden Bear to the WW II Italian drama The Garden of the Finzi Contini.