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Beyond Tinker, Tailor, Soldier, Spy: Other Moles, Double Agents and Traitors
Updated November 29, 2011
In TINKER, TAILOR, SOLDER, SPY, no one is what they appear, especially with a suspected Soviet mole at the very center of the Circus. But turncoats, traitors, moles, double agents, and sleeper cells are nothing new in the world of espionage.
TINKER, TAILOR, SOLDIER, SPY: Search for the Mole
Tomas Alfredson’s adaptation of John le Carré’s spy classic TINKER, TAILOR, SOLDIER, SPY continues a fascination in popular culture with double agents. In the novel and film, which are set in the 70s, Control (John Hurt), the head of the intelligence organization known as the Circus, contacts George Smiley (Gary Oldman), who has recently been pushed out by internal politics, to initiate a covert investigation into the existence of a Soviet mole at the very top of the Circus. In the world of espionage, deception is second nature, and no one, not even the most trusted agent, may be exactly who they seem to be. Indeed, many fans of TINKER, TAILOR, SOLDIER, SPY have looked back at history to find actual antecedents for le Carré’s dramatic duplicity. While le Carré refuses to give up his sources, there are, as the following slideshow demonstrates, a remarkable rogues gallery of traitors, double agents and moles in recent history.
Catching The Cold War: The Culture of Tinker, Tailor, Soldier, Spy
Updated November 28, 2011
The Cold War paranoia that permeates TINKER, TAILOR, SOLDIER, SPY was a focus of a series of fascinating books and films created in post-war Europe and America.
Taking the Temperature of Cold War Culture
TINKER, TAILOR, SOLDIER, SPY is called a masterpiece of Cold War culture. But what was the Cold War? Perilous nuclear standoffs between governments or intricately convoluted dramas involving spies and backroom deals? The Cold War, which spanned the years from the end of World War II until the late 1980s/early-‘90s, was marked by both low-level tensions and Big Ideas. On the ground, the Cold War was fought in a series of proxy wars throughout Eastern Europe and the Far East, fueled by what President Dwight D. Eisenhower called “the military-industrial complex.” In ideology, the Cold War was a massive cultural battle, fought in films, television, fashion, comics, etc., a struggle that pitted the Free World against the Red Menace, always with the mushroom cloud of nuclear disaster drifting just over the horizon. The following survey considers the range of cultural artifacts that both represented the Cold War, and as such, the ideological atmosphere that permeates John le Carré’s classic novel. Generally the films, like the Cold War itself, split between deviously plotted thrillers in which career intelligence agents grapple with moral codes that seem to shift by the minute and epics that envision an impending nuclear apocalypse. What follows are ten films about, and made during, the Cold War — films in which actual historical incident, or, simply, the Cold War mindset, inspired the filmmakers to speculate about the nature of good, evil, and all the shades of grey in between.
A Short History of George Smiley
Updated November 17, 2011
Since he appeared in John le Carré’s 1961 novel, Call For The Dead, the unassuming intelligence operative George Smiley has become the most intellectually cunning and emotionally complex spy of modern times.
© Photo by Jack English
Gary Oldman in TINKER, TAILOR, SOLDIER, SPY
In Tomas Alfredson’s TINKER, TAILOR, SOLDIER, SPY, George Smiley is played by Gary Oldman in a performance that dazzled the character’s creator, John le Carré. “With Gary you share Smiley’s pain, share the danger of life, the danger of being who he is,” le Carré comments. Created in 1961, Carré’s most famous character, the unassuming spy master George Smiley, has become a figure as iconic as Sherlock Holmes or Hercule Poirot. Producer Tim Bevan describes him as “a quiet guy who disappears into the woodwork of a room, watches and listens very carefully.” Alfredson sees him as “‘the perfect spy.’ He is someone you would immediately forget if you saw him on the street.” Yet his story, which stretches out through eight novels, and has been interpreted in nearly as many films, mini-series, and radio plays, is an epic tale that captures the complicated political, moral and social drama of life in the late 20th century. And all of this in the bespectacled middle-aged face of a man whose chief virtue was his stunning ability to barely be noticed.
Tinker, Tailor, Soldier, Rhyme
Updated November 14, 2011
The nursery rhyme that is used in the title of the spy thriller TINKER, TAILOR, SOLDIER, SPY has its own backstory and mystery.
The Mystery of “Tinker, Tailor…”
In TINKER, TAILOR, SOLDIER, SPY, Control (John Hurt) informs George Smiley (Gary Oldman) about a possible mole at the heart of the Circus, the code name for the British Intelligence Service. To highlight possible suspects, Control gives them code names -- “Tinker, Tailor, Soldier, Spy.” Smiley later tapes the photos of the possible suspects to chess pieces, a gesture that turns out to be more resonant with the film’s title poem than one might imagine. The simple children's nursery rhyme “Tinker, Tailor, Soldier, Sailor” has a long cultural history that connects it to the game of chess, among other things.
People in Film | Mark Strong
Updated November 10, 2011
A man of many faces and characters, be they supervillains or literary heroes, Mark Strong makes each one uniquely his own.
Mark Strong | Glamour and Sadness
In Tomas Alfredson’s adaptation of John le Carré’s TINKER, TAILOR, SOLDIER, SPY, Mark Strong plays Jim Prideaux, a strikingly handsome agent who maintains a shadow over his personal and professional history. Recruited by Bill Haydon in his Oxford days, Jim became a “Scalphunter,” an agent involved in black ops, who was disgraced when an action in Budapest went terribly wrong. Highlighting the character’s complexity, producer Tim Bevan says that “what you see with Jim Prideaux… is both a glamour and a sadness.” In playing the character of Prideaux, Mark Strong picked up on that complexity, noting, “Jim is very conscious of his sense of duty and service to his country; he would do the dirty work in the field and then come back to Circus headquarters, until he was sent out again. As a Scalphunter, he had to assume various identities in undercover work – and have more than one at the ready. He’s a very erudite Englishman, but emotionally he’s quite stunted.” In mapping out this complex emotional geography, Strong has created a figure at once fascinating and resonant. The Playlist noted in its review, “Mark Strong is heartbreaking as [Haydon’s] best friend Prideaux, hopefully demonstrating to studio types that he’s capable of a far greater range than he’s mostly played so far—watch the way that his eyes light up as he spots Firth at a party.” While Strong has often been cast in supporting roles, and then mostly as villains, his filmography showcases an artist able to craft the most remarkable characters out of any role.