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Sarah Flack's most recent feature editing credit was on Jim Simpson's The Guys.
She has collaborated with Steven Soderbergh on several projects, and was the film editor on his features Full Frontal, The Limey, and Schizopolis.
Ms. Flack's credits as film editor also include John Polson's Swimfan, Mark Gibson's Lush, Tom Putnam's Shafted, and Joe Berlinger's Book of Shadows: Blair Witch 2. She did additional editing on two independent features, Peter Mattei's Love in the Time of Money and Peter Sehr's Love the Hard Way.
She graduated from Brown University with a B.A. in Political Science and Semiotics/Film. After working on the set of Steven Soderbergh's Kafka in Prague, her first apprentice editing job was with Mark Conte on Sheldon Lettich's Double Impact. She later worked as an assistant editor with Claire Simpson (on Caroline Thompson's Black Beauty and Robert Towne's Without Limits); with Nancy Richardson and Pietro Scalia (on Desmond Nakano's White Man's Burden); and with Jill Bilcock (on Baz Luhrmann's William Shakespeare's 'Romeo + Juliet').