Flashback
A look back at this day in film history
November 25
Tom Jones October 7, 1963
Tom Jones opens

When United Artists opened Tony Richardson’s adaptation of the Henry Fielding novel Tom Jones in the autumn of 1963, they knew it was a hit. Their challenge was to convince Americans of that fact. The 18th century comic novel of a bastard trying to make his way in the world was barely known to most Americans. Nor were its stars, newcomers Albert Finney and Susannah York. And the director had a reputation that didn’t necessarily lead to better box office. In Britain, Richardson and his collaborator, the playwright and screenwriter John Osborne, had established themselves by making dark films about oppressed working-class characters. Films like Look Back in Anger (1958), A Taste of Honey (1961), and The Loneliness of the Long-Distance Runner (1962) had defined a new wave of British cinema. But Tom Jones went in a whole new direction. Filled with bawdy adventures and cinematic high-jinx, the film proved a box office smash––even if the critics didn’t all love it. Noting the film’s debt to the French New Wave, The Sunday Telegraph sneered, “Richardson is a director who assimilates other men’s styles as easily as a schoolboy catches measles.” In New York, however, critics loved the film. The New York Times singled out the “brilliant new star Albert Finney,” and the New York Herald Tribune’s Judith Crist called it “one of the most delightful movies of recent years.” But rather than capitalize on its urban success, UA allowed all this attention to simmer, waiting until January before opening in other cities. After the picture won four Academy Awards (including Best Picture and Best Director) in the spring of 1964, UA took the picture wide, and pushed the film’s sexy fun, with a poster featuring a nearly bare-chested Albert Finney surrounded by a lusty wenches.


More Flashbacks
The Crying Game November 25, 1992
The Crying Game released

“Yo, the chick’s a dude!” –– those words, shouted outside a movie theater on November 25, 1992, would most likely have earned you a punch in the nose from a ticket buyer standing in line to see Neil Jordan’s sly psychosexual drama The Crying Game.

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November 25, 2005
Pat Morita dies

On this day in 2005, the man best known as The Karate Kid’s sage sensei Mr. Miyagi, Pat Morita, died.

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November 25, 1973
Laurence Harvey Dies

By the time Laurence Harvey died of stomach cancer on November, 25 1973, his actual life proved easily as strange and quirky as the characters he played. Born in 1928 Zvi Mosheh (Hirsh) Skikne to a Jewish family in Lithuania, Harvey quickly reinvented himself at the age of five when his family moved to South Africa, where he took the name Harry. After working as an entertainer in the South African army, Harvey moved to London, changing his first name to Laurence and swapping out his family name for Harvey (supposedly taken from the sherry “Harvey’s Bristol Cream”). Harvey quickly rose up through the British film world, playing a range of side characters, then moving to Hollywood and Broadway where he gained a reputation for creating quirky, nervous eccentric, often emotionally cold men (often who were never quite what they seemed). His most famous role was as the brainwashed soldier in John Frankenheimer’s 1962 The Manchurian Candidate. While known to be privately gay, Harvey went through a number of high-profile marriages, often with women considerably older than himself. In 1968, for example, he married his second wife, Joan Perry Cohn, the widow of Columbia Picture’s master Harry Cohn. In 1969, his affair with Paulene Stone led to his one daughter, a divorce from Cohn, and, in 1972, a marriage to Stone. His daughter Domino Harvey went on to fame all her own as the bounty hunter whose life was dramatized by Keira Knightley in the 2005 thriller Domino. By the time he died in 1973, his career was in decline and his health had deteriorated by years of heavy drinking, and yet he was still trying on new identities. His last film, Welcome to Arrow Beach, which came out after his death, marked his third venture as a director as well as star.

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