Flashback
A look back at this day in film history
September 02
Todd Solondz October 15, 1959
Todd Solondz born

As Todd Solondz enters production on his seventh feature film, we’ll stop and take note of his birthday (October 15, 1959) as well as his position as one of American independent film’s enduring and most instantly recognizable voices. Queasily mixing comedy and drama, satire and social critique, Solondz has made a career out of movies populated by the estranged, by people who, for whatever reason, don’t fit into polite company. In Welcome to the Dollhouse, that character was Dawn Weiner, a bullied, unpopular, and socially awkward girl who finds approval in a classmate’s threats of rape. With Happiness, Solondz began to explore interlocking, multi-character stories, this time including everyone from a pedophile to an obscene phone caller. In Palindromes, the different segments of the story each featured a different actress portraying the same protagonist, the 12-year-old Aviva. And in his recent Life During Wartime, Solondz revisited the characters of Happiness, but this time radically recast them as entirely different actors. Little is known about the plot of Dark Horse, but Solondz told The Playlist that he’s gotten major agency support for the first time due to its lighter tone. “And you know CAA?” he said. “It's funny, it's the first time they actually like one of my scripts and I realized [in Dark Horse], there's no rape, there's no child molestation, there's no masturbation, and then I thought, ‘oh m god, why didn't I think of this years ago?'"


More Flashbacks
Dick Tracy September 2, 1939
Dick Tracy's G-Men opens

In 1939, Republic Pictures launched Dick Tracy’s G-Men, a 15-episode cinematic serial featuring the hero from Chester Gould’s famous comic strip.

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Sep. 2, 1983
Merry Christmas Mr. Lawrence released

26 years ago today, Nagisa Ôshima's Merry Christmas Mr. Lawrence was released in the U.S., just a few months after it had premiered at the Cannes Film Festival.

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Sept 2, 1929
Hal Ashby Born

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Growing up an outsider in a Mormon town, Hal Ashby turned his difference into a cinematic aesthetic.

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