Flashback
A look back at this day in film history
September 02
October 30, 1968
Ramon Navarro murdered

Ramon Navarro came to LA in 1913 with hopes of making a new life for himself. While working at the Alexandria Hotel, he was spotted by director Rex Ingram who cast him first as an extra, and then as the lead of Prisoner of Zenda in 1923. The beautiful young man was deemed the worthy successor to Rudolph Valentino’s Latin lover role. Reportedly he shared more than a legacy with Valentino as the two were close friends and supposedly lovers at one point. Despite his success with films like Ben-Hur and The Student Prince, Navarro never really transitioned to sound. His next big headline would have nothing to do with cinema. On Halloween, 1968, the police found the naked, dead body of the famed silent film star. Following phone records, detectives found Paul and Tom Ferguson, two brothers who’d visited Navarro on October 30. Towards the end of his life, Navarro was an avid consumer of male hustlers. But the brothers were there because they falsely believed that Navarro had $5,000 buried under his floorboards. As Tom was on the phone with his girlfriend in Chicago––the call the police used to catch the brothers––Paul beat Navarro to an inch of his life to get him to tell him where the money was. In defeat, the brothers attempted to make the scene look like a rape/robbery. After stripping the star down and tying him up, they scrawled "Us girls are better than those fagits" on the bathroom mirror. Navarro soon choked to death on his own blood. During the trial, the defense attorney Richard Walton blamed Navarro’s sexuality, exclaiming "Back in the days of Valentino, this man who set female hearts aflutter, was nothing but a queer. There’s no way of calculating how many felonies this man committed over the years, for all his piety." Both brothers were sentenced to life, but paroled after only seven years. Paul was again arrested and convicted for rape.


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Sept 2, 1929
Hal Ashby Born

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Growing up an outsider in a Mormon town, Hal Ashby turned his difference into a cinematic aesthetic.

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