Flashback
A look back at this day in film history
August 27
November 13, 1967
Polanski's Fearless Vampire Killers Unleashed

Roman Polanski showed a lighter – and more colorful side – to his filmmaking when a film with multiple identities, The Fearless Vampire Killers (aka The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck) was released in the U.S. Coming straight off the huge success of his three first films, Knife in the Water, Repulsion and Cul de Sac, Polanski was making his first film for an American studio, was shooting in color for the first time, and was making his most lighthearted movie so far. Fearless Vampire Killers was, as the title hinted, a horror comedy and starred Jack MacGowran and Polanski himself as the titular characters who head for Transylvania looking for neckbiting daysleepers. However the film, shot under the title Dance of the Vampires, was not intended to be the farce which it was sold to audiences as by MGM. Even worse, the studio actually radically recut the movie from Polanski’s initial version released in Europe – which is described by DVD Savant’s Glenn Erickson as a "unique blend of fairytale beauty, sly comedy and baleful horror" – and even added in a cartoon prologue, and made the lion logo into a hastily scribbled vampire. Polanski understandably disowned the movie, but would maybe have been more angered by MGM’s meddling had he not been in the first throes of a love affair with his Fearless romantic interest, Sharon Tate. Fortunately, in 1979, the original version became the accepted cut of the film and the butchered version is now relatively difficult to see.


More Flashbacks
Tuesday Weld August 27, 1943
Tuesday Weld born

A child model to support her widowed mother, an alcoholic by age 12, a pre-teen suicide survivor, and a teenage lover of Elvis Presley, actress Tuesday Weld had a backstory more vivid, more tragic, more fantastic than could have been created by any screenwriter’s pen.

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August 27, 1969
Medium Cool opens

"A kind of cinematic Guernica" is how New York Times critic Vincent Canby described Haskell Wexler's Medium Cool, the veteran cinematographer's highly influential blend of documentary, fiction, and agitprop released August 27, 1969.

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27 August 1964
More than a Spoonful of Sugar

The woman that the world would turn to for sweetest and light couldn’t get cast in a film, until she put on the smock and pick up the umbrella of Mary Poppins.

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