A look back at this day in film history
November 26
Ordinary People September 19, 1980
Ordinary People released

The star of such films as Butch Cassidy and the Sundance Kid, The Way We Were, and The Great Waldo Pepper, Redford, with his iconic, particularly American good looks, was actor, matinee idol, and social activist throughout the 1960s and '70s. In 1980, he added "director" to his resume with Ordinary People, a searing drama of familial discontent for which he won Oscars for both Best Picture and Best Director. Based on the novel by Judith Guest, Ordinary People wasn't the usual sort of actor's directing debut. For one, Redford didn't appear in the film. It also wasn't something handed to him by an awed studio executive. Redford optioned the novel and developed the screenplay himself, working with screenwriter Alvin Sargeant. The film tells the story of a husband (Donald Sutherland), wife (Mary Tyler Moore) and son (Timothy Hutton) in the days following the son's failed suicide attempt. The son tries to work through his emotional turmoil -- caused in part by his guilt over a sailing accident that claimed the life of his older brother -- with a sensitive psychiatrist, played by Judd Hirsch. Seen now, 30 years later, it's amazing how influential the film has been. Its traces can be seen in films as diverse as American Beauty, The Ice Storm, and this season's Rabbit Hole. Wrote Roger Ebert of its nuanced look at suburban tragedy, "Director Redford places all these events in a suburban world that is seen with an understated matter-of-factness. There are no cheap shots against suburban lifestyles or affluence or mannerisms: The problems of the people in this movie aren't caused by their milieu, but grow out of themselves. And, like it or not, the participants have to deal with them. That's what sets the film apart from the sophisticated suburban soap opera it could easily have become."

More Flashbacks
Casablanca November 26, 1942
Casablanca released

In New York City, stars, including Humphrey Bogart and Ingrid Bergman, gathered for the premiere of Casablanca.

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November 26, 1993
Thirty Two Short Films About Glenn Gould released

Few knew what to expect from a film called Thirty Two Short Films About Glenn Gould when it opened in New York.

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November 26, 1993
A Life in Fragments

In the same month and year that Jane Campion’s The Piano was released, going on be nominated for 8 Oscars and winning three, a little known filmmaker from Toronto, François Girard, released Thirty Two Short Films About Glenn Gould, a bio-pic of sorts about the man that many consider to be one of the world’s greatest pianist. Taking its structure from Bach’s Goldberg Variations, the film mixes short pieces of documentary, animation, narrative (with Colm Feore playing Gould), and performance to throw light on this complex artist. Girard commented that “as Gould was such a complex character, the biggest problem was to find a way to look at his work and deal with his visions. The film is built of fragments, each one trying to capture an aspect of Gould.” The film also helped break open the biopic genre to all sorts of experimentation and transformation, as well as becoming iconic for innovative cinema. In 1996, for example, The Simpsons released their own tribute "22 Short Films About Springfield."

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