Flashback
A look back at this day in film history
September 01
Ordinary People September 19, 1980
Ordinary People released

The star of such films as Butch Cassidy and the Sundance Kid, The Way We Were, and The Great Waldo Pepper, Redford, with his iconic, particularly American good looks, was actor, matinee idol, and social activist throughout the 1960s and '70s. In 1980, he added "director" to his resume with Ordinary People, a searing drama of familial discontent for which he won Oscars for both Best Picture and Best Director. Based on the novel by Judith Guest, Ordinary People wasn't the usual sort of actor's directing debut. For one, Redford didn't appear in the film. It also wasn't something handed to him by an awed studio executive. Redford optioned the novel and developed the screenplay himself, working with screenwriter Alvin Sargeant. The film tells the story of a husband (Donald Sutherland), wife (Mary Tyler Moore) and son (Timothy Hutton) in the days following the son's failed suicide attempt. The son tries to work through his emotional turmoil -- caused in part by his guilt over a sailing accident that claimed the life of his older brother -- with a sensitive psychiatrist, played by Judd Hirsch. Seen now, 30 years later, it's amazing how influential the film has been. Its traces can be seen in films as diverse as American Beauty, The Ice Storm, and this season's Rabbit Hole. Wrote Roger Ebert of its nuanced look at suburban tragedy, "Director Redford places all these events in a suburban world that is seen with an understated matter-of-factness. There are no cheap shots against suburban lifestyles or affluence or mannerisms: The problems of the people in this movie aren't caused by their milieu, but grow out of themselves. And, like it or not, the participants have to deal with them. That's what sets the film apart from the sophisticated suburban soap opera it could easily have become."


More Flashbacks
Lili Tomlin September 1, 1939
Lily Tomlin born

Born in Detroit to transplanted Southerners, Lily Tomlin grew up between cultures, a position that in many ways gave her a position to observe the quirky characters all around her.

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Sep. 1, 1948
Sorry, Wrong Number opens

At one level, adapting Lucille Fletcher’s 1943 radio play Sorry, Wrong Number - in which a wealthy invalid who overhears the planning of a murder on her telephone comes to realize she’s the intended target - seemed obvious.

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Sept 1, 1939
Women On Top

In an industry run by men, a movie about, by and for women proved a welcome change.

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