Flashback
A look back at this day in film history
September 02
Lars Von Trier April 30, 1956
Lars von Trier born

In Peter Biskind's Easy Riders, Raging Bulls, the author chronicled '70s cinema by looking not so much at the movies as the larger-than-life personas of the directors. His book is full of outrageous anecdotes and apocryphal tales that argue for the concept of the director not as a smoothly efficient manager of the movie set but as a tormented artist. Today, though, there are fewer and fewer of these outsider auteurs in the film business. And when these monster-sized egos emerge, they are often quashed by an industry press that prioritizes cool box-office analysis over a celebration of Dionysian filmmaking abandon. So, then, perhaps Lars von Trier, born April 30, 1956, is one of our last great filmic wild men — even if his transgressive nature is, these days, expressed more through carefully aimed press conference missives and melancholy musings than sturm and drang on the set. When his last film, Antichrist, played Cannes, it won awards for lead actress Charlotte Gainsbourg but also from the fest's "ecumenical jury," which gave it an "anti-award" for alleged misogynist content. At the fest, von Trier, whose films include Breaking the Waves, The Kingdom, and Dancer in the Dark, caused a stir when, after being snapped at by a French PR person when he got up to go the bathroom during his film's credit sequence, left the theater entirely before the lights went up. When asked if he feels grand pronouncements, like his threats to quit the film business, or outrageous acts (like claiming he directed a film naked one day), are necessary to create publicity in today's crowded media landscape, von Trier told Filmmaker magazine, "I don't think they are necessary.... I have a very simple theory about these things. I think that I'm just a very emotional person and I do emotional things like leaving the cinema, like being provoked by this guy in the press conference. Things that I have to defend myself [against]. I do and I say what I feel, and I don't think these are things you can put on as an act. I really don't. I think that you have to judge [behavior like this] by the success of the artists, and if artists do something of quality then it is because they are also sincere in the way they act towards the press. I believe that is so."


More Flashbacks
Dick Tracy September 2, 1939
Dick Tracy's G-Men opens

In 1939, Republic Pictures launched Dick Tracy’s G-Men, a 15-episode cinematic serial featuring the hero from Chester Gould’s famous comic strip.

Read more »
Sep. 2, 1983
Merry Christmas Mr. Lawrence released

26 years ago today, Nagisa Ôshima's Merry Christmas Mr. Lawrence was released in the U.S., just a few months after it had premiered at the Cannes Film Festival.

Read more »
Sept 2, 1929
Hal Ashby Born

<!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1073741899 0 0 159 0;} @font-face {font-family:Tahoma; panose-1:2 11 6 4 3 5 4 4 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-520082689 -1073717157 41 0 66047 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; mso-pagination:widow-orphan; font-size:10.0pt; mso-bidi-font-size:12.0pt; font-family:"Tahoma","sans-serif"; mso-fareast-font-family:Cambria; mso-bidi-font-family:"Times New Roman";} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; mso-ascii-font-family:Cambria; mso-fareast-font-family:Cambria; mso-hansi-font-family:Cambria;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} -->

Growing up an outsider in a Mormon town, Hal Ashby turned his difference into a cinematic aesthetic.

Read more »