Flashback
A look back at this day in film history
December 17
October 6, 1927
Jolson’s Jazz Singer breaks the movie sound barrier

It is not hyperbole to say that The Jazz Singer, released 80 years ago today, changed everything. The legendary All Jolson movie was the original “talkie,” with the newly developed Vitaphone sound system piping songs and dialogue into theater auditoriums for the very first time. Jolson’s words, “Wait a minute, wait a minute, you ain't heard nothin' yet!,” were the first in spoken in movie history — but with a lot of audiences, they really hadn’t heard anything yet. The Jazz Singer was a major success and one of the biggest films of 1927, but was not the overwhelming smash hit it could have been because most movie theaters outside of the major cities had not yet installed sound systems. It was not until 1928 that movie lovers throughout the country got to hear — rather than just see — what all the fuss was about.


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Dec. 17, 1946
Eugene Levy born

Whether it's as Jim's dad in the American Pie movies, Max Yasgur in Ang Lee's Taking Woodstock or the dastardly Walter Kornbluth, one of the scientists out to nab Daryl Hannah in Splash, Eugene Levy has become instantly recognizable to movie audiences.

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December 17, 1982
Tootsie Not a Drag for Hoffman

26 years ago today, when Tootsie was released in the U.S., Dustin Hoffman went from being one of the most respected dramatic actors working in film to, well, something very different. Hoffman, who had his breakthrough role in Mike Nichols' wry charmer The Graduate in 1967, had never truly shown his comic side on screen, despite the fact that he played Lenny Bruce in Bob Fosse's biopic of the controversial comedian, Lenny. Instead he had carefully picked roles, in films like Little Big Man, Midnight Cowboy and All the President's Men, which played to his incredible skill as a committed method actor. As a result, he was incredibly nervous about his idea to make a movie about a struggling actor who drags up as he pretends to be an actress in order to get a role in a soap opera. The film had a troubled and prolonged history, taking four years to reach the screen, during which time directors Dick Richards and Hal Ashby dropped out of the project, to be replaced by Sydney Pollack. The film, however, was a huge success: Hoffman's female foils, Jessica Lange and Teri Garr, excelled in their roles while Charles Durning (ala Joe E. Brown in Some Like It Hot) gave a killer supporting turn as the man who falls for Hoffman's “Dorothy.” And Hoffman himself was a revelation, displaying impeccable comic instincts and brilliant timing in a role that could easily have been his undoing and the source of infinite mockery from his peers. Tootsie was nominated for 10 Oscars, including Best Picture, Director, Actor and Screenplay, while Lange beat out Garr for the Best Supporting Actress award. Most importantly for Hoffman and Columbia, the studio that bankrolled the movie, Tootsie was a box office titan, rapidly passing the $100 million mark and ultimately racking up nearly $180 million.

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