A look back at this day in film history
November 30
In the Realm of the Senses October 8, 1976
In the Realm of the Senses released in Japan

On this day in 1976, one of the most controversial movies of all time, Nagisa Oshima’s In the Realm of the Senses (aka Ai No Corrida), opened in Oshima’s native Japan. The sexually explicit film told the real-life tale of the torrid love affair between hotel maid Sada Abe and her boss Kichizo Ishida, which famously ended when Abe asphyxiated Ishida during sex, and then cut off his penis and testicles (which she then carried in her handbag). Any film tackling this subject would inevitably been mired in controversy, however Oshima pushed the envelope even further during the production of the movie by having his actors Eiko Matsuda and Tatsuya Fuji engage in unsimulated sex for their highly charged love scenes. To get around Japanese censorship laws, In the Realm of the Senses was deemed a French film, with the footage being sent to France, where it was subsequently edited. When Oshima had completed the film, he premiered it in May 1976 at the Cannes Film Festival, where interest was so great that an unprecedented 13 screenings had to be organized. When the film was released in Japan in October of that year, five minutes had been cut from the original 113 minute version, and many shots had been blurred to obscure the actors’ nudity. The fact that Senses was released in Japan at all was impressive: it was banned after screenings at the New York and Berlin Film Festivals (though both rulings were later overturned), and wasn’t publicly shown in Britain or Canada until the 1990s. In 2000, a full-length version entitled Ai No Corrida 2000 was finally released in Japan, although the actors’ genitalia were still obscured, this time by pixelation.

More Flashbacks
Boy with Green Hair November 30, 1948
The Boy with Green Hair opens

The opening of the pacifist parable The Boy with Green Hair should be celebrated as the feature directorial debut of Joseph Losey.

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November 30, 1947
Ernst Lubitsch dies

On Sunday November 30, 1947, director Ernst Lubitsch was due at William Wyler’s home for an afternoon screening party.

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November 30, 1945
Noir Takes a Detour

In a time in which CGI and other advanced film technologies create worlds that are more lifelike than life itself, the grungy, low-rent charms of Edgar G. Ulmer’s Detour, which opened on November 20, 1945, should not be forgotten. Shot in less than one week on a few simple sets and using obvious rear-screen projection for all the driving scenes, the movie is, as Robert Ebert wrote, “so filled with imperfections that it would not earn the director a passing grade in film school.” But despite its many technical flaws, the film is a film noir classic. Its indigent aesthetic amplifies rather than detracts from its bleak tale of blackmail and remorselessness. And, as the femme fatale, Ann Savage created perhaps the perfect noir heroine. “There is not a single fleeting shred of tenderness or humanity in her performance,” Ebert wrote.

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