Flashback
A look back at this day in film history
November 26
November 13, 1986
Color Me Mad

Director John Huston, 80 years old and suffering from severe emphysema, was wheeled out with oxygen tank on Thursday 13 November to give a press conference about a plan to colorize his 1941 classic The Maltese Falcon. “It would almost seem as though a conspiracy exists to degrade our national character,” complained the legendary Hollywood director. His voice joined many others (including Martin Scorsese and Woody Allen) who spoke out against the recent decision by Ted Turner and the Turner Broadcasting System to colorize 100 famous black & white films. Turner, who’d recently purchased the MGM library, was hoping to use colorizing video technology to bring new life to old entertainment, especially since market reports indicated that both video renters and television viewers appeared to be allergic black-and-white films. But for filmmakers, this commercial ploy was abuse of corporate ownership and infringement of artistic rights.


More Flashbacks
Casablanca November 26, 1942
Casablanca released

In New York City, stars, including Humphrey Bogart and Ingrid Bergman, gathered for the premiere of Casablanca.

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November 26, 1993
Thirty Two Short Films About Glenn Gould released

Few knew what to expect from a film called Thirty Two Short Films About Glenn Gould when it opened in New York.

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November 26, 1993
A Life in Fragments

In the same month and year that Jane Campion’s The Piano was released, going on be nominated for 8 Oscars and winning three, a little known filmmaker from Toronto, François Girard, released Thirty Two Short Films About Glenn Gould, a bio-pic of sorts about the man that many consider to be one of the world’s greatest pianist. Taking its structure from Bach’s Goldberg Variations, the film mixes short pieces of documentary, animation, narrative (with Colm Feore playing Gould), and performance to throw light on this complex artist. Girard commented that “as Gould was such a complex character, the biggest problem was to find a way to look at his work and deal with his visions. The film is built of fragments, each one trying to capture an aspect of Gould.” The film also helped break open the biopic genre to all sorts of experimentation and transformation, as well as becoming iconic for innovative cinema. In 1996, for example, The Simpsons released their own tribute "22 Short Films About Springfield."

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