Flashback
A look back at this day in film history
November 26
BreakingTheWaves October 4, 1995
Breaking the Waves opens

With his 1996 film, Breaking the Waves, Lars von Trier took a left turn from sumptuously shot earlier works like Europa, embracing a new, handheld, more visceral shooting style to tell the story of Bess, a wife of a paralyzed oil drilling worker who submits herself to a gang rape in a holy appeal for his recovery. Set in 1970s Scotland, the movie contained nudity, shocking sex scenes and a revelatory performance by Emily Watson, who projected an altruistic innocence with such conviction that the director’s various audience provocations were perfectly counterbalanced. Breaking the Waves, which played the New York Film Festival October 4, 1996, is a religious film for our times in that, whatever the motives of its director, it practically begs the audience to dismiss the wife’s divine convictions while her performance urges us otherwise. Wrote Roger Ebert in his review, “Not many movies like this get made, because not many filmmakers are so bold, angry and defiant. Like many truly spiritual films, it will offend the Pharisees. Here we have a story that forces us to take sides, to ask what really is right and wrong in a universe that seems harsh and indifferent. Is religious belief only a consolation for our inescapable destination in the grave? Or can faith give the power to triumph over death and evil? Bess knows.”


More Flashbacks
Casablanca November 26, 1942
Casablanca released

In New York City, stars, including Humphrey Bogart and Ingrid Bergman, gathered for the premiere of Casablanca.

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November 26, 1993
Thirty Two Short Films About Glenn Gould released

Few knew what to expect from a film called Thirty Two Short Films About Glenn Gould when it opened in New York.

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November 26, 1993
A Life in Fragments

In the same month and year that Jane Campion’s The Piano was released, going on be nominated for 8 Oscars and winning three, a little known filmmaker from Toronto, François Girard, released Thirty Two Short Films About Glenn Gould, a bio-pic of sorts about the man that many consider to be one of the world’s greatest pianist. Taking its structure from Bach’s Goldberg Variations, the film mixes short pieces of documentary, animation, narrative (with Colm Feore playing Gould), and performance to throw light on this complex artist. Girard commented that “as Gould was such a complex character, the biggest problem was to find a way to look at his work and deal with his visions. The film is built of fragments, each one trying to capture an aspect of Gould.” The film also helped break open the biopic genre to all sorts of experimentation and transformation, as well as becoming iconic for innovative cinema. In 1996, for example, The Simpsons released their own tribute "22 Short Films About Springfield."

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