Flashback
A look back at this day in film history
November 25
Beauty and the Beast November 13, 1991
Beauty and the Beast premieres

The first animated film to receive an Academy Award nomination for Best Picture, Disney’s Beauty and the Beast opened in New York theaters November 13, 1991. Directed by Kirk Wise and Gary Trousdale, with music by Howard Ashman and Alan Menken, Beauty and the Beast mixed computer animation techniques with traditional animation as well as old-fashioned Broadway-style songs. Wrote Janet Maslin in the New York Times about this blend, “No live-action musical could ever match the miracles of anthropomorphism that occur here, or the fantastically sweeping scale. Nor could a live-action work achieve this mixture of elaborate, painstaking technique and perfect simplicity. Beauty and the Beast is filled with affectionate homages to the live-action sources that have inspired it, and indeed those influences are strong. But its overriding spirit is all its own.” The film is also known as the high point of the late ‘80s and early ‘90s “Disney renaissance,” when executive Jeffrey Katzenberg rode herd on a team of new young animators. This creatively fruitful but also turbulent time has been dissected in countless magazine articles and books, but it was also recalled recently by two men who were there, Don Hahn and Peter Schneider, in their doc Waking Sleeping Beauty. In a Filmmaker magazine interview, Schneider commented, “What people failed to capture amidst all the drama was the joy that exists while you are making a creative project. I wanted to capture the extraordinary joy of that period of time as well as the personal drama. It took the entire team to make these movies successful. It wasn’t just one individual, two individuals — it took a collective group of people working in a unique manner. It always gets put out there that Jeffery did this, or that Michael did that, but I wanted to show the inspirational teamwork. That was my motivation.”


More Flashbacks
The Crying Game November 25, 1992
The Crying Game released

“Yo, the chick’s a dude!” –– those words, shouted outside a movie theater on November 25, 1992, would most likely have earned you a punch in the nose from a ticket buyer standing in line to see Neil Jordan’s sly psychosexual drama The Crying Game.

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November 25, 2005
Pat Morita dies

On this day in 2005, the man best known as The Karate Kid’s sage sensei Mr. Miyagi, Pat Morita, died.

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November 25, 1973
Laurence Harvey Dies

By the time Laurence Harvey died of stomach cancer on November, 25 1973, his actual life proved easily as strange and quirky as the characters he played. Born in 1928 Zvi Mosheh (Hirsh) Skikne to a Jewish family in Lithuania, Harvey quickly reinvented himself at the age of five when his family moved to South Africa, where he took the name Harry. After working as an entertainer in the South African army, Harvey moved to London, changing his first name to Laurence and swapping out his family name for Harvey (supposedly taken from the sherry “Harvey’s Bristol Cream”). Harvey quickly rose up through the British film world, playing a range of side characters, then moving to Hollywood and Broadway where he gained a reputation for creating quirky, nervous eccentric, often emotionally cold men (often who were never quite what they seemed). His most famous role was as the brainwashed soldier in John Frankenheimer’s 1962 The Manchurian Candidate. While known to be privately gay, Harvey went through a number of high-profile marriages, often with women considerably older than himself. In 1968, for example, he married his second wife, Joan Perry Cohn, the widow of Columbia Picture’s master Harry Cohn. In 1969, his affair with Paulene Stone led to his one daughter, a divorce from Cohn, and, in 1972, a marriage to Stone. His daughter Domino Harvey went on to fame all her own as the bounty hunter whose life was dramatized by Keira Knightley in the 2005 thriller Domino. By the time he died in 1973, his career was in decline and his health had deteriorated by years of heavy drinking, and yet he was still trying on new identities. His last film, Welcome to Arrow Beach, which came out after his death, marked his third venture as a director as well as star.

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