A look back at this day in film history
October 26
October 3, 1960
The Entertainer opens in New York

The New York premiere of Tony Richardson’s The Entertainer gave Americans a taste of the “Angry Young Men” school of drama that was all the vogue in Britain. A few years earlier, Laurence Olivier, the great classical actor, had solicited playwright John Osborne (whose drama Look Back in Anger lead this movement) to write a vehicle for him. Staged in 1957, the play casts Olivier as Archie Rice, a washed-up song-and-dance man who holds on desperately to his stale routines, even as his personal life is falling apart around him. The dramatic metaphor of England as a dilapidated music hall, playing the same old tired music, was not missed by audiences or critics, who loudly debated the play’s significance. After much acclaim, Olivier took the play to Broadway, where he was nominated for a Tony in 1958. Shortly after, up-and-coming director Tony Richardson agreed to help bring the film to screen, with Osborne co-writing the screenplay and Olivier assuming the lead. Indeed Olivier supposedly turned down a handsome Hollywood movie deal to make this film on which his fee was deferred. While the film wasn’t a box office hit, it was a huge critical success, garnering Olivier the sixth of his ten Oscar nominations. But moreover it helped establish him as a actor versatile enough to embody Shakespeare’s grandeur and a sad sack’s squalor.

More Flashbacks
Sans Soleil October 26, 1983
Sans Soleil opens

In 1982, when the French avant-garde director Chris Marker released his travelogue essay Sans Soleil, most critics were uncertain what to make of it.

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October 26, 1949
Pasolini Expelled from Communist party

At the beginning of January 1947, the Italian soon-to-be-director Pier Paolo Pasolini wrote in the newspaper Libertà: "In our opinion, we think that currently only Communism is able to provide a new culture."

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October 26, 1965
George Stevens Battles for his Place in the Sun

The Oscar-winning director fights to keep his movie from being interrupted by commercial breaks.

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