To bring a historical novel to life, production designer Sarah Greenwood goes beyond finding the perfect decoration.
In Atonement's Britain, between the World Wars was not a lull in the storm, but a storm all its own. Bill Schwarz analyzes the shifting climate.
From Edison to Atonement, film has constantly reshaped the ways we imagine, if not wage, war. Joel Bleifuss reports.
Notes from the production of the Focus Features film Atonement.
Scott Macaulay talks to composer Dario Marianelli about his innovative score for Atonement.
Christopher Hampton in the Soup
Posted by Peter Bowen | January 29, 2008
That Green Dress
Posted by Nick Dawson | January 25, 2008
Posted by Peter Bowen | January 16, 2008
As the Globes Turn
Posted by Peter Bowen | January 14, 2008
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